2013 Lola

/ Post

sound

  1. actual and commentative sound, 36, Tom
  2. synchronization and asynchronization, 37
  3. overlapping sound, 39, Zach
  4. voice-over, 40
  5. narrating “I”, 41
  6. the voice of God, 43
  7. the epistolary voice, 44
  8. the subjective voice, 45
  9. the repetitive voice, 46, Tom
  10. the voice from the machine, 47

shots

  1. close-up, Zach
  2. extreme close-up, Ariel
  3. long shot, Sam M
  4. extreme long shot, Adam
  5. medium shot, Colby
  6. establishing shot, Keenan
  7. two-shot, Charlie
  8. three-shot, Griffin S
  9. shot/reverse shot, Sam M
  10. over-the-shoulder shot (all 50), Nick
  11. high angle shot, Jasper
  12. low angle shot, 51, Nick
  13. God’s eye shot, 52, Chris
  14. subjective camera, 53, Sam G
  15. pan shot, 56, Ariel
  16. tilt shot, 56, Colby
  17. mobile camera, 56, Keenan
  18. swish pan, 57, Charlie G
  19. dolly (tracking) shot, 58, Sam D
  20. crane (tracking) shot, 58, Adam
  21. short vertical tracking shot, 59, Belle
  22. zoom in, Zach
  23. zoom out, Kenny
  24. freeze frame, Kenny

combining shots:

  1. linear sequence, 62, Belle
  2. associative sequence, 63
  3. American montage, 65, David
  4. straight cut, Collin
  5. contrast cut, Griffin S
  6. cross or parallel cut
  7. jump cut, 66, Charlie C
  8. form or match cut, 66, Krill
  9. fade-out, Griffin W
  10. fade-in, 67, Griffin W
  11. dissolve, 69, Charlie G
  12. form dissolve, 70
  13. wipe,  71
  14. irising, 72, Emory
  15. continuity editing, 75
  16. continuity editing for rhythm, 77
  17. continuity editing for time, 77

mise en scene

  1. tight framing 83, Emory
  2. canted shot, 84, Quinn
  3. deep focus, 87, David
  4. shallow focus, 88, Quinn
  5. rack focus, 88, Collin
  6. long take, 90, Chris
  7. steadicam shot, 90, Jasper

notable