Assignment: YouTube one-shot re-cut

Splice

Due: October 31/November 1

Demo in class: go get Tennis Court

Goal: Learn basic post-production skills in iMovie by adding visual energy, focus, and rhythm to a structurally simple single-shot clip. Extra goal: aesthetic pride. That is, be proud of what you do, trying to make the final product better than the original.

Tools to use:

  • Start new Library, Event, and Project, import YouTube (or make your own)
  • Scrub > spacebar to pause > Split clip (Command-B)
  • Probably good to learn to use (faux) beat markers
  • Things to try with clips using tools in the Adjustments Bar:
    • Crop (including Ken Burn’s effect to create a pan or a zoom (see also this tutorial)
    • Change color/saturation/balance, etc  (don’t forget “Video Effects”)
    • Copy > Paste Adjustments
    • Speed (beware of losing audio sync)
  • Things to use/try from the sidebar Content Library:
    • Title
    • Fade to black beginning/ending
    • Transitions
    • Edit > Connect cutaways (mess with opacity?)
    • Cut/move/repeat clips
  • Sample list from the classes from a couple of years ago is here.
  • Wikipedia has an entry on one shot music videos with a list of examples.
  • Mental Floss has a page with 15 one shot music videos here (h/t Tiffany).

Lorde’s Tennis Court, recut sample:

BTW: Not only is repetition/rhythm a key element of music that we like, it’s a key element to be aware of in good editing – but not slavishly. Most art is about setting up expecations (e.g., rhythm) and then messing with the expectation (e.g., change of rhythm).

 

 

Ghost Dog

ghost-dog

Over at io9, an overview of Ghost Dog. It’s a good article; the comments range widely, but some are insightful.

More reviews/critical pieces on Ghost Dog (Top Critics at Rotten Tomatoes is always a good place to start when you’re trying to find out how a film was received; try Ebert, McCarthy, Hoberman, Zacharek).

MSDGHDO EC001

Nerve did a “top ten” Jim Jarmusch films article a couple of years ago. Good distillations of his most famous films, with hat tips to his use of Johnny Depp, Bill Murray, Tom Waits, and The RZA. Includes Night on Earth, which features the peerless Italian comedian Roberto Benigni in the funniest 25-minute taxi ride ever. Does not include Only Lovers Left Alive, the Tilda Swinton / Tom Hiddleston vampire film from 2013.

And if you ever got into The Wire (Barack Obama’s favorite TV series), Jamie Hector, who plays the ruthless Marlo Stanfield, got his start in Ghost Dog as “Gangster in Red.”

Assignment: Film conventions

Film Conventions: Run Lola Run

We use Run Lola Run to develop awareness of film techniques and conventions. Items with pages numbers on the list are straight out of Anatomy of Film, on reserve in the library.

DUE: September 26/27.

Your job is to

  1. use the internet AND Anatomy of Film to understand the items assigned to you,
  2. start a new Library / Events cache / Movie in iMovie and drag Lola in (use your Workflow handout or this web page),
  3. find examples in Lola,
  4. clip them into iMovie
  5. make a film that introduces your convention with a title that
    1. names it and
    2. makes the definition clear and
  6. includes a voiceover to make sure we see what you want us to see;
  7. open and close your film with “Fade to Black” and begin with the “Standard Lower Third” title and type size on black.conventions-title
  8. In written description of the convention, use either “Centered” or “Zoom” from the Titles selection. 80 point font is about right.
  9. use the “auto” audio button on all your clips (select all first) to normalize the volume across the entire presentation.
  10. When you’re done, iMovie > File > Share > File… > HD 720, named with your item number, title and your name, e.g., “Blue 2 25 Lizzie.” Then run through HandBrake, Apple 720p preset.

A microphone is on reserve in the library, as are copies of the book.

For a grade higher than a C+,

  1. include a clip or two from other movies (YouTube downloads) and
  2. have something to say about how the technique shapes our response to the scene.

Sign up here for two different conventions (make two separate films, one for each convention).

Example – this would get a B or B+ – not enough examples from the web for people to really “see” it.